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Zendaya teases bridal-themed fashion with something old, new, borrowed … and soon, blue?

Zendaya has a few more days to wear something blue.

The actor, promoting “The Drama” with co-star Robert Pattinson around the globe, has — wink wink — worn something old, something new and something borrowed.

It all fits with the wedding theme of “The Drama,” opening Friday, about a Boston couple whose impending nuptials are thrown into chaos by a dark revelation.

Of course, it also dovetails with the bridal theme of Zendaya’s own life, with unconfirmed speculation flying — fed in part by rings she’s been wearing — that she’s already married to Tom Holland.

But back to the fashion: Something old came in Los Angeles on March 17, where the actor wore the same off-the-shoulder Vivienne Westwood Bridal gown — in white, of course — that she wore to the 2015 Oscars. “Our Something Old,” her stylist, Law Roach, posted on Instagram.

At the movie’s March 24 Paris premiere it was time for something new — a white custom Louis Vuitton gown with a very, well, dramatic black bow and train cascading down the back.

Two days later for the Italian premiere in Rome, Zendaya sported a borrowed black Armani Privé dress with a plunging neckline framed with stones, earlier worn by Cate Blanchett at the Venice Film Festival. (“somethingborrowed,” Roach posted.)

As for something blue — the color may have been subtly referenced by her flowing, multi-hued floral Alexander McQueen dress worn on Jimmy Kimmel’s show March 16. But that was a little TOO subtle.

Which is why many expect the star to soon be singing the blues.

How do you make vampires fly effortlessly on Broadway? Strong wires, harnesses and lots of practice

NEW YORK (AP) — For their third Broadway show, husband-and-wife choreographing team Lauren Yalango-Grant and Christopher “Cree” Grant faced a high-stakes challenge: They were asked to make vampires fly. Not just fly, but also fight and hang upside-down, 60 feet off the stage. Not just that but also make it effortless, like gliding. And, of course, completely safely, despite darkness and haze and props whizzing by. Making “The Lost Boys” soar was a little like a real-life game of Tetris, the couple say. And for creating some of the best visuals of the season, the couple has earned their first Tony Award nomination. “You just have to break it down slowly and bit by bit, build one block and then you just keep adding so that no one’s going to get hurt or feel too chaotic. Because gravity is going to gravity," says Yalango-Grant. "As much as Elphaba taught us you can defy it, you cannot.”
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